All these houses which spring to my mind: Carlo Mollino, Gio Ponti, Thomas Schütte and many more. But here what counts is the in between space. That "in-betweenness" is you the visitor who has to fill it in.
President of the Réunion des musées nationaux-Grand Palais, Art Historian and Curator ... and soon Director of the Fondation Cartier pour l'art contemporain, 2022
invariably say: “don’t touch.” French artist Milène Guermont says: “please do.”
She believes her art should gratify the curious hand with a direct experience of the passion that she puts into each of her works....
Guermont’s dual background in engineering and fine-arts provides an ideal platform for developing innovative concepts and materials. Her artworks in “Polysensual Concrete”, for example, are designed to be interactive. Her sculptures made of “Craters Concrete” are characterized by dramatic surface relief, created when the artist manipulates the material at the moment of crystallization. And finally, her “Colored Engraving” process permits permanent “writing” on the surface of concrete slabs.
The genesis of Guermont’s interest in the artistic possibilities of concrete stems from a visit to Switzerland more than a decade ago when the sound of the sea emerged from a concrete wall she was touching, a classic example of synesthesia (stimulation of one sense provoking sensation in another). Since then, Guermont has sought to re-create through her work similar moments of discovery for others. She takes on faith that each of us is naturally curious for contact, interaction and experience, and no less so when it comes to art. In the typical museum setting, however, art lovers are frustrated in their desire for something to touch. And Guermont’s work rewards the tactilely curious on more than one sensory level: when touched, many of her pieces respond with light and sound depending on the magnetic field of the person who is touching.
Director and Chief Curator of the Gamble House museum (CA, USA), 2012
Milène Guermont is a magician, a magician of concrete.
Pass in front of the wall of a school and you hear the children's laughter....
She is the queen of the ‘metamorphosis of concrete’ (this magnificent material which is imposing by its massive nature). She softens it and gives it a voice, which little by little becomes its own language.
We can say that she has created a new poetic way that superimposes onto the forms of architecture.
MADELEINE FONDANTE Dialogue with Rodin... Solo show of Milene Guermont: her sculpture MADELEINE FONDANTE dialogues with MOVEMENTS DE DANSE…Read More
STORE POEME. By Milène Guermont. On April 28, 1958, Yves Klein opened his exhibition LE VIDE ("the emptiness" in…Read More
NIGHT OF IDEAS. New York City. Happy to be one of the panelists of the NIGHT OF IDEAS for the…Read More
Inspired by the monumental sculpture by Milène Guermont on Place de la Concorde... with texts by ambassador Ehab Badawy, architect Jean-Paul Viguier, historian Alain Niderlinder ... Photos by Henri Cartier-Bresson...
Pierre CORNETTE DE SAINT CYR
President of Palais de Tokyo, 2011
Chief Editor of Radio France, 2011